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From March 10 until July 31, 2010, The Last Book is exhibited in the Zentral Bibliothek in Zurich. The Last Book is a project of Luis Camnitzer in which I and many others participate. www.e-flux.com/journal/view/42
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From february 17-21, 2010, the original book Going Wrong is shown in the stand of online bookshop La Rara at the ARCO artfair in Madrid. www.larara.biz
------------------------------------------------------------- From february 6-20, 2010, the book Libro de fantasmas is shown in the exhibition Turning the Tiles, Jan van Nassaustraat 65, The Hague, Holland. www.turningthetiles.nl
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From december 1-31, 2009, a small exhibition of new paintings is shown in the Jan Huijgens Galerie, The Hague, Holland
-------------------------------------------------------------- November 11, 2009, University of Barcelona, Barcelona, Catalonya, Spain:
TAULA RODONA Mar Arza, Blanca Casas, Alexandra Grant, Tanja Smit Més enllà del discurs: figuracions de l’escriptura en l'obra de quatre artistes contemporànies coordinada per Joana Masó i Assumpta BassasVila
Dimecres 11 de novembre de 2009 a les 19h30 Aula 112 –Edifici Històric, Universitat de Barcelona Gran Via de les Corts Catalanes, 585 –08007 Barcelona http://www.ub.edu/cdona/actos/artistes09.pdf ------------------------------------------------------------------------ may 13-17, 2009 Off the Record Stedelijk Museum Amsterdam on location at the RAI building during the Art Amsterdam fair The Stedelijk Museum´s annual proposal for municipal art acquisitions exhibition is devoted this year to photography. Guest curator is photographer and writer Hans Aarsman. Participating artists: Theo Baart, Elly Baltus, Melanie Bonajo, Appie Bood, Hans Bouman, M.L. Busser, Maze de Boer, Rineke Dijkstra, Constant Dullaart, Martijn Engelbregt, Erik Fens, Maria Heijdendael, Maarten Heijkamp, Peter Hermanides, Frank Kouws, Frank Mandersloot, Paulien Oltheten, Jannie Regnerus, Don Sars, Frank Schallmaier, Diana Scherer, Marike Schuurman, Monique Scuric, Tanja Smit, Claudia Sola, Jan-Dirk van der Burg, Steve van den Bosch, Ad van Denderen, Ria van Dijk, Anne van de Pals, Kaj van Ek, Stefan van Weele and Roy Villevoye http://www.stedelijkindestad.nl/projects/ku nstaankopen_fotografie
------------------------------------------------------------------------ January 23 to february 28, 2009
TANJA SMIT Galería Tomás March, font-size: 15px; ">www.tomasmarch.com ------------------------------------------------------------------------ February 11 to 16 2009: Stand Galería Tomás March at .html" title="Arco, Madrid">http://www.ifema.es/web/ferias/arco/defau lt.html
------------------------------------------------------------------------ 17/06/2008-05/10/2008
Possibility of Action: the Life of the Score Curators: Barbara Held and Pilar Subirà Centre d'Estudis i Documentació, MACBA, Barcelona, Spain Exhibition on contemporary music connotation, in which are presented works of John Cage, Yoko Ono, Lee Ranaldo, Tanja Smit (the Dancing Master project -co-operation with Christopher Williams- and some books and textworks), and many others
http://www.macba.cat/uploads/20080617/Programa_PDF_ENG.pdf http://www.macba.cat/controller.php?p_action=show_page&pagina_id=34&inst_id=24704〈=ENG&PHPSESSID=cgvbm4vs1h2sgbrdjep4ei3ab5
------------------------------------------------------------------------ Book DRAWINGS on WRITING, available since october 2008 edited by Serge Onnen
Paper book with folded cardboard cover and elastic cord 140 pages, black and white offset, edition of 2000 Of all the words one uses in a day, the handw
ritten ones are the most rare. Wri
tten with a pen on a small piece of paper or carved with a knife in a tree. Physically made words. Most words are made with a machine such as a laptop or a phone -- words you've never really touched. One learns to make the words by hand as a child, but very soon after that, one starts using a machine. The handwriting years come more or less to an end with the first keyboard, and like drawing it b
ecomes an ancient act. You draw it when you can't find a photo or camera, and you handwrite it when you can't find a keyboard. When it's unreadable to the other, it becomes some ki
nd of drawing. Readability depends on codes and conventions -- just for one person or for billions, like Chinese. This book is a silent space where the signs and words have come to a rest. Where they don't have to act by what they mean.
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